Rambert - Contemporary dance company London Frames is choreographed by British dance’s hottest property Alexander Whitley. Rambert was barely on his radar, although he had heard of it during his dance training in France in the 1980s. We gave our first performances in 1926. Read more about "Rambert School of Ballet and Contemporary Dance", Supported using public funding by Arts Council England. Web design & development … Dame Marie Rambert (1888–1982), founder of Rambert Dance Company, was born in Warsaw, Poland where she was inspired to become a dancer after seeing Isadora Duncan perform. During the war the Company did a great deal of valuable work appearing in a range of venues including factory canteens as well as theatres, and in this way made its own contribution to the war effort. In 1926 Marie Rambert and her students presented the ballet A Tragedy of Fashion by Frederick Ashton, then one of her students, as part of a revue at the Lyric Theatre in Hammersmith. Following his visit to America, Morrice encouraged Marie Rambert to return to the Company’s original ethos and the Company transformed from a medium-scale classical touring company to a smaller ensemble, aiming to create new works and preserve the best of their previous works. Mark Baldwin (centre) with Rambert Dance Company, 2007. 99 Upper Ground London SE1 9PP Regular choreographic workshops were also held for the dancers, and Christopher Bruce began to emerge from the Company as a talented choreographer. The longest-standing dance company in the country, it has the chequered past … During North’s directorship, the choreographic focus centred on North himself, Bruce and Richard Alston, although occasional invitations were made to overseas choreographers to mount works for the company. +44 (0) 20 8630 0600. > The change in its performance activities, during and immediately after the war, resulted in a new audience. ©Rambert School 2020 - Photography by: Nicole Guarino, John Pridmore, Jack Thomson, Stephen Berkeley White Rambert School of Ballet and Contemporary Dance is a limited company registered in England and Wales #4713720 and a registered charity #1098900. Complexions performs worldwide, provides dance education, and was America's first fully multicultural ballet company. We also run a youth dance company and annual summer schools at different UK centres. North was replaced by Richard Alston, and under his direction became known for its use of Cunningham technique and a repertoire of mainly abstract works, in line with Alston’s own belief that dance should be created for its own sake and not to support narrative or spectacle. World-leading education in ballet & contemporary dance to realise the potential in every student. Rambert is Britain's national company for contemporary dance. Marie Rambert flanked by her successors, John Chesworth (left) and Norman Morrice. A student of Émile Jaques-Dalcroze, the originator of eurhythmics, Rambert was invited in 1913 to teach this technique … info[ATSIGN]rambert.org.uk +44 (0) 20 8630 0600. Registered Company number 4713720 and Registered Charity number 1098900. Alston left Rambert at the end of 1992. Amongst these were Paul Taylor’s Airs (1982), Merce Cunningham’s Fielding Sixes (1983) and Dan Wagoner’s An Occasion for Some Revolutionary Gestures (1985). Rambert is Britain’s oldest dance company. In London she supported herself by giving tuition in dance and eurhythmics. Rambert. Bruce invited internationally recognised choreographers such as Merce Cunningham, Twyla Tharp and Siobhan Davies to produce works for the Company as well as providing opportunities for young choreographers like Jeremy James and Wayne McGregor to create new works for Rambert. RAMBERT SCHOOL OF BALLET AND CONTEMPORARY DANCE, Next accounts made up to 31 July 2020 During Chesworth’s years as Director, assisted by Bruce in the role of Associate Director, the Company produced several major works, including two full evening pieces: Cruel Garden (1977, Bruce in collaboration with Lindsay Kemp) and Tetley’s The Tempest (1979). Coming to the Alhambra Theatre Bradford in November 2017. They began to expect longer ballets in addition to the traditional mixed bills of new works. What if... …there was a dance company where brilliant and daring people could show up and be supported to push themselves to move the world forward. We then look at each Artistic Director, with some basic knowledge of their backgrounds, training and influences, and then discuss their personal developments to the company. 99 Upper Ground London SE1 9PP Rambert is Britain’s oldest dance company. Rambert, once Ballet Rambert and Rambert Dance Company, is a touring contemporary dance company based on the South Bank, London. At this time it had become apparent that Ballet Rambert could no longer afford the expense of touring large-scale classical productions and that, if it was to survive, a change of direction was needed. The company also successfully raised £19.6million to create a purpose-built home on London’s South Bank, which opened in 2013. During her year with the Ballets Russes her appreciation of classical ballet developed t… The following year 1987 the Company adopted the name Rambert Dance Company and its repertoire became noted for the close collaboration between choreographers, composers and designers. info[ATSIGN]rambert.org.uk +44 (0) 20 8630 0600. Rambert today has the most far-reaching touring programme of any British contemporary dance company, presenting new, large scale works of the highest standards to audiences throughout the UK, complemented by equally extensive education, outreach and participation work. info[ATSIGN]rambert.org.uk +44 (0) 20 8630 0600. Company's image shifted as the range of works was slimmed down and Cunningham-based technique replaced Graham as the training system favoured by the Company. This was shortened to simply “Rambert” in 2013. Rambert offers a range of dance classes for children and young people from ages two upwards at Rambert’s South Bank home, and at local venue the Colombo Centre. Among the artists who gained early experience there were the dancers Alicia Markova and Margot Fonteyn. "I knew it was a rep company, and I knew Marie Rambert—I thought she was French," he says with a laugh, referring to the company's Polish-born founder, one of the pioneers of ballet in the UK. A 1957 production of Dark Elegies, Antony Tudor’s signature work, created for Rambert in 1937. Our history dates even further back, to 1914, when Polish emigree and former Ballet Russes dancer Marie Rambert arrived in London fleeing the outbreak of the First World War. During the Second World War Ballet Rambert became a full time touring company and, as the Company had outgrown the tiny Mercury Theatre, from 1946 its most frequent London performances were at Sadler’s Wells. He too invited choreographers from abroad to make works for the Company, including a number of influential American ‘postmodern’ choreographers such as Trisha Brown, Lucinda Childs and Cunningham himself, whose Touchbase (1992) was created specifically for Rambert. Rambert. During his tenure Rambert won two Olivier Awards and the TMA Theatre Award for Achievement in Dance. Known as the Rambert Dancers, they performed in revues at various London venues. Rambert is a surname. From 1926 Marie Rambert and her dancers staged more occasional performances, until they formed the Ballet Club in 1930. 99 Upper Ground London SE1 9PP Leave the A316 at the St Margarets Roundabout, continue Rambert School of Ballet and Contemporary Dance is a charitable company limited by guarantee and registered in England and Wales. He commissioned works by choreographers including Karole Armitage, Rafael Bonachela, Kim Brandstrup, Aletta Collins, Javier De Frutos, André Gingras, Shobana Jeyasingh and Ashley Page. Rambert, once Ballet Rambert and Rambert Dance Company, is a touring contemporary dance company based on the South Bank, London. Registered office address as above. Founded by Marie Rambert in 1926, the Company has sustained her pioneering commitment to choreography… Although she…, From their 1920s origin as one a single organisation, Marie…, info[ATSIGN]rambert.org.uk Rambert Dance Company (24 Nov 2016) Triple bill of old and new works gives Rambert dancers, and audiences, much to get their teeth into. 31 July 2019, Next statement date 5 December 2021 In London she supported herself by giving tuition in dance and eurhythmics. The small but knowledgeable audience of the Ballet Club was replaced by a more general audience whose tastes were less adventurous than those of the Company’s earlier supporters. Rambert, the oldest existing dance company in England. She went to Paris and after an early career as a recital artist and teacher she was engaged by Serge Diaghilev's Ballets Russes as assistant to the choreographer Vaslav Nijinsky on The Rite of Spring. In 1926, Rambert formed a dance troupe using students from her school. Madame Rambert was with the Ballets Russes when Nijinsky was performing this work, so she would have seen him dance over 30 performances of it. True to the founding vision of the company, an emphasis of Baldwin’s leadership was to commission works that encourage collaboration with other artforms, especially music and design. He also continued Morrice’s policy of inviting overseas choreographers to mount works on the Company. The company combined restagings of works from the Ballet Russes by Fokine, Nijinsky and Massine with the creation of new works by choroegraphers including Ashton, Andrée Howard, Susan Salaman and Antony Tudor, among others. Notable people with the surname include: Ángel Rambert (1936–1983), Argentine-born French footballer; Eugène Rambert (1830–1886), Swiss author and poet; Marie Rambert (1888–1982), Polish-born dancer and pedagogue; Pascal Rambert (born 1962), French writer, choreographer and director for the stage and screen; Pep Rambert (1916–1974), American baseball … Rambert Dance company has had as much talent as it has tribulations. Based on the … Our history dates even further back, to 1914, when Polish emigree and former Ballet Russes dancer Marie Rambert arrived in London fleeing the outbreak of the First World War. Norman Morrice, encouraged by Marie Rambert, travelled to America in 1962 on a Ford Foundation Grant in order to see the new developments in dance and to study with some of the major choreographers of the time, including Martha Graham. This was essentially a group of talented artists who came together for regular Sunday performances at the Mercury Theatre in Notting Hill Gate, as well as short seasons in the West End and regional theatres (The Mercury Theatre was owned by Rambert’s husband, Ashley Dukes, and acted as a base for the company for many years.) Some of Bruce’s own creations, including Ghost Dances, Swansong and Rooster have proved to be among the company’s most enduringly popular creations. Rambert Dance Company | Rambert Dance Company is Britain's flagship contemporary dance company. His successor was named as Christopher Bruce, who took up the position in April 1994. 30 April 2021, Last accounts made up to She got the piece directly off Nijinsky and we have done it since 1931, so the company has done about 440 performances. Marie Rambert was born in Warsaw in 1888. It has been an important training ground for young talent. In 1930, the troupe was re-established as the Ballet Club at the Mercury Theatre in London, which was owned by Rambert's Ana Lujan Sanchez is not listed in "this season's dancers" for autumn 2006 on the Rambert Dance Company's website, although she is listed in the archive as a member of the company "1996-". Ghost Dances was created 35 years ago, and is considered one of the 'greatest hits' from Rambert Dance Company's back catalogue. North developed a repertoire that proved popular with audiences both at home and abroad, contributing several popular pieces himself. Ballet Rambert performed several classics, including the well-known Giselle and Coppelia and the first major British productions of La Sylphide and Don Quixote. The Ballets Russes was a touring ballet company based in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. This work heralded a tentative return to the innovative policies which had previously been the hallmark of Ballet Rambert. In 1974 Morrice was succeeded as Artistic Director by John Chesworth, who had performed with the company since 1951 and served as Assistant to the Directors from 1966 to 1974. Ballet Rambert Company moved to premises in Chiswick in 1971, this remained its base until 2013. In 1981 Robert North was appointed as new Artistic Director, a post he held until 1986. The company’s extensive touring meant there was less time to create new works, but this began to change in 1958 when Norman Morrice, one of Marie Rambert’s novice choreographers, created Two Brothers for the company. In 1979 Bruce left the Company to embark on a career as a freelance choreographer, although he still maintained a position with Ballet Rambert as Associate Choreographer. It is said that this piece marked the birth of British ballet, and also the formation of Rambert Dance Company. Rambert. Under the artistic direction of Mark Baldwin it tours throughout the UK and overseas. Christopher Bruce was succeeded in 2002 by Mark Baldwin, like his predecessor a former dancer with the company who had subsequently developed a career as a choreographer, and in 2015 received an OBE in the 2015 Queen’s Birthday Honours. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Start studying RAMBERT DANCE COMPANY. She also taught Dalcroze Eurythmicsto the company. Among these were four of Antony Tudor’s works, including Dark Elegies (1937); and also Nijinsky’s L’Apres-midi d’une faune, revived for Ballet Rambert in 1931. due by 19 December 2021, for RAMBERT SCHOOL OF BALLET AND CONTEMPORARY DANCE (04713720), 85421 - First-degree level higher education, Companies House does not verify the accuracy of the information filed. | Rambert School of Ballet and Contemporary Dance is a higher education institution and a registered charity based out of Clifton Lodge St. Margarets Drive, Twickenham, United Kingdom. James Cousins is not listed in the archive of people who have danced with the company since 1926. In 1987, the company was renamed “Rambert Dance Company” to more accurately reflect the style and nature of its current form. due by Rambert School of Ballet and Contemporary Dance | 182 seguidores en LinkedIn. Recaps origins of Rambert Dance Company and Marie Rambert, the 3 main aims of the company, the changes in 1966 and why they made such significant changes. Initially established to perform ballets, it evolved into a contemporary dance company. Two years later she opened a school of dancing in Bedford Gardens, Kensington. RAMBERT SCHOOL OF BALLET AND CONTEMPORARY DANCE - Free company information from Companies House including registered office address, filing history, accounts, annual return, officers, charges, business activity At the same time she continued with her own ballet studies, as well as performing as a soloist. Two Brothers was performed in modern dress and dealt with a contemporary theme while still using a traditional ballet vocabulary. Christopher Bruce’s masterpiece, Ghost Dances, is possibly the most popular work in Rambert’s history. In 1966 the Ballet Rambert Company transformed from a medium-scale classical touring company to a smaller ensemble, led by Morrice and aiming to create new works, and Christopher Bruce began to emerge from the Company as a talented choreographer. -- Kylenano 07:01, 25 September 2006 (UTC) During the first few years of Ballet Rambert’s new incarnation, the company also retained several pieces from its earlier repertoire. Complexions Contemporary Ballet is a contemporary ballet company founded in 1994 by Co-Artistic Directors Dwight Rhoden and Desmond Richardson based in New York City comprising about 14 classical and contemporary dancers. In 1935 the company began using the name “Ballet Rambert”. 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